Joe D’Amato’s Anthropophagus, a Guest Post from RayofTheDead from The Dead Associates

Joe D’Amato’s Anthropophagus, a Guest Post from RayofTheDead from The Dead Associates

Ray Marquez aka RayofTheDead of The Dead Associates, a website that specializes in EuroHorror, Cult  and Exploitation Cinema. When Ray told me he had an idea to do a guest post about Anthropophagus, how could I refuse him? Ray is ridiculously knowledgeable when it comes to EuroHorror, and I had to let him talk a bit about one of his favorite directors, the underrated Joe D’Amato!

Growing up a horror fan in the 80s and into the early 90s, you’d be hard-pressed not to stumble upon the gore rotted gems and blood spattered monstrosities brought to us by those crazy Italians! Argento was cranking out gorgeous eye candy throughout the 70s and into the 80s with much dynamism and intellect, Fulci was clambering aboard the Romero bandwagon and cranking out absurd but wholly loved gut munching zombie epics, Deodato was non-conforming to cinema standards and brandishing his renegade filmmaking out in the wilds of the Green Inferno…you get the picture. Chances are that if you are reading this rant on this very website, you can add many more names to that list.

We all have our favorites when it comes down to bad voice-overs, over hysterical acting, and bush-league special effects. A few of my favorites include (but are definitely not limited to) BURIAL GROUND: NIGHTS OF TERROR, APOCALYPSE DOMINI, and DR. BUTCHER M.D. among others. But one film, which I hold in very high regard, is often overlooked. Joe D’Amato brought us Emmanuel, Buio Omega, and Erotic Nights of the Living Dead. He has seasoned us with unrepentant hours of graphic pornography and a plethora of pseudonyms that could be used to rename an entire continent (and yes Joe D’Amato was his most publicized and used pseudonym).

The one film I am truly grateful for from the late D’Amato is his visceral and profoundly original ANTHROPOPHAGUS: THE GRIM REAPER. Joe D’Amato lets loose his exploitation, world-wide banned masterpiece with comic book blood, shaky cameras, and a skinned rabbit along with one forced abortion you have to see to believe. Nothing can prepare you for a film this hard to pronounce!

My first exposure to ANTHROPOPHAGUS was one that could turn a normal blooming 10 year old into a homicidal Fritz Haarman! Luckily I am an awesome specimen so my run in with the aforementioned film only saturated my lust for more of the films of Italia. By then I had already rented the entire horror section of my local Mom and Pop VHS Rental Store and scored so many great Italian gems belonging to Fulci, Bava, and Mattei that my run in with D’Amato was extremely…well, disparate. Sure my rental past included munchy wunching tomticks of nipples (thank Italia for PETER BARK!!!) and eye popping mannequin heads, but the eerie reminiscence of the Donner Party parable inherent within ANTHROPOPHAGUS shivered me timbers.

Most people could not (or were dimly aware) of the horrors George Eastman’s character had to face during the time stranded on the boat with his wife and child. That scene takes me back to the horrors of any number of zombie apocalypses posed on screen or playfully with friends; heretics boasting of dispatching anyone and everyone to survive Armageddon. But could you really? Anyone can pretentiously boast of decapitating the nearest family member in order to survive the cannibal onslaught, but I doubt anyone really could do the deed. By placing myself within Eastman’s character, I was struck with an odd sense of pity for this illegal practitioner of gynecology. The sadness entwined with his character made the film that more important and that more inanely primeval.

As a life-long horror fan (albeit a VERY conservative one!), ANTHROPOPHAGUS has withstood the many atrocious onslaughts of crap cinema and bargain bin DVD-RWs to reign as one of the more prominent and prolific horror films of the Italian made subgenre. D’Amato could have stopped making films after THE GRIM REAPER!


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7 Responses to “Joe D’Amato’s Anthropophagus, a Guest Post from RayofTheDead from The Dead Associates”

  1. Article looks good Kristy J! I hope the masses enjoy my rant. Thanks for the exposure and opportunity to be apart of Blood Sprayer for Italian Week.

  2. When Wes told me there would be an italian horror week on here, this was the first movie I watched. Always a personal favorite!

    RancidZombie79 July 3, 2010 at 2:01 PM
  3. Great article Kristy. I have wanted to see this movie since I first read about it in the early 90s. I think I shall order a copy of it today. Keep up the good work. 🙂

  4. The main character is a man named Daniel. When you look at his eyes, you’re looking into the eyes of a man who has seen Hell. There are moments when he looks like he’s about to begin screaming at any second, and never stop. The first time you see this is in episode one, when he’s about to leave the prison. The guard is treating him like a human being, and it’s evident this hasn’t happened in an extremely long time. You see the confusion on his face as he wrestles with suddenly being treated decently by the same people who have treated him like an animal for years. He can’t quite process it. I know that look well. As he’s about to leave the prison, the guard helps him tie his necktie, as he can no longer remember how to do it himself.


  1. […] the dedication of HorrorHound Magazine is RayofTheDead from The Dead Associates, who offered up a guest contribution about one of his favorite Italian Horror flicks, Anthropophagus:The Grim […]

  2. […] (originally posted on The Blood Sprayer Jul 02, 2010:…) […]

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